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A healer with the talent to unravel death. A stillborn child brought to life. A father lusting for vengeance. And a son torn between justice, faith, and love. Caught in a chase spanning kingdoms, each must decide the nature of good and evil, the lengths they will go to survive, and what they are willing to lose.

A healer and dabbler in the dark arts of life and death, Barus is as gnarled as an ancient tree. Forgotten in the chaos of the dying queen’s chamber, he spirits away her stillborn infant and in a hovel at the meadow’s edge, breathes life into the wisp of a child. He names her Aster for the lea’s white flowers. Raised as his daughter, she, too, learns to heal death.

Denied a living heir, the widowed king spies from a distance. But he heeds the claims of the fiery Vicar of the Red Order—in the eyes of the Blessed One, Aster is an abomination, and to embrace the evil of resurrection will doom his rule.

As the king’s life nears its end, he defies the vicar’s warning and summons the necromancer’s daughter. For his boldness, he falls to an assassin’s blade. Armed with righteousness and iron-clad conviction, the Order’s brothers ride into the leas to cleanse the land of evil.

To save her father’s life, Aster leads them beyond Verdane’s wall into the Forest of Silvern Cats, a wilderness of dragons and barbarian tribes. Unprepared for a world rife with danger and unchecked power, a world divided by those who practice magic and those who hunt them, she must choose whether to trust the one man offering her aid, the one man most likely to betray her—her enemy’s son.

One founding father.
One deathbed curse.
A town haunted for generations.

Ward Chatham, founder of Chatham Hollow, is infamous for two things—hidden treasure and a curse upon anyone bold enough to seek it. Since his passing in 1793, no one has discovered his riches, though his legend has only grown stronger.

In 1888, charlatan Benedict Fletcher holds a séance to determine the location of Chatham’s fortune. It’s all a hoax so he can search for the gold, but he doesn’t count on two things—Victor Rowe, a true spiritualist who sees through his ruse, and Chatham’s ghost wreaking havoc on the town.

More than a century later, the citizens of the Hollow gather for the annual Founder’s Day celebration. A paranormal research team intends to film a special at Chatham Manor, where the original séance will be reenacted. Reporter and skeptic Aiden Hale resents being assigned the story, but even he can’t deny the sudden outbreak of strange happenings. When he sets out to discover who or what is threatening the Hollow—supernatural or not—his investigation uncovers decades-old conflicts, bitter rivalries, and ruthless murders.

This time, solving the mystery isn’t about meeting his deadline. It’s about not ending up dead.

I didn’t think my life could get weirder, but I was wrong…

Fifteen-year-old Amelina Scott lives in Cambridge with her dysfunctional family, a mysterious black cat, and an unusual girl who is imprisoned within the mirrors located in her house.

When an unexpected message arrives inviting her to visit the Crystal Cottage, she sets off on a forbidden path where she encounters Ryder: a charismatic, perplexing stranger.

With the help of a magical paint set and some crystal wizard stones, can Amelina discover the truth about her family?

A unique, imaginative mystery full of magic-wielding and dark elements, Bloodstone is a riveting adventure for anyone interested in fantasy, mythology or the world of the paranormal.

Gregory and his little sister Imogen love spending Halloween with their parents. But this year is different. If he proves he can take care of Imogen all by himself, he’ll finally have the allowance he’s dreamed of.

That was before the basement door opened on its own.  Before the strange door appeared in the basement and Imogen was taken from him by the monster.

Now everyone in town is blaming him for her disappearance, but no one is listening to his story. Where did the door come from? What was that creature? And most of all, can he find his sister before it’s too late, or will he bury his memories of her along with his parents?

October 1962. The developing nuclear missile crisis in Cuba is of no concern to Francesca “France” Leighton. Recently turned 21, France travels from her home in Providence to a job at an archaeological dig in Luxor, Egypt. She takes with her two legacies—an emerald ring from the grandfather she never knew, and an antique cello from his friend, a man she loved like a grandfather.

The dig disappoints. France is relegated to sorting chunks of stone, the dig’s director makes unwanted advances; rivalries and mistrust are everywhere. And it’s too darn hot. Tasked with playing her cello at a gathering of archaeologists, France meets the enigmatic and fascinating nuclear physicist Adam Dexter. She’s smitten, especially when he promises to show her the secrets of Egypt, including a hitherto undiscovered tomb.

After a risky balloon cruise ends in a crash landing, France is forced to leave the dig. Despite warnings against solo explorations on the west bank, she finds herself with Adam Dexter in an eerie house near the Theban Necropolis. Adam’s promises are alluring, but he is both more and less than he seems and his motivations are disturbing. Fleeing his house, France makes a horrifying discovery.

Through an image of Osiris, France discovers the true reason for her presence in the Theban Necropolis. As the world teeters on the brink of nuclear war, she must call upon resources both within and beyond herself to meet the perils that await her in the world of the dead beneath the Western Peak.

High above the dangerous streets of post-quake San Francisco Island, mechanically modified professionals link minds in a cybernetic telespace to push through big deals and decisions at lightning speed. But unexplained telelink blackouts and bizarre hallucinations have marred mediator Carly Quester’s debut appearance before a computer-generated Venue—forcing her to consider delicate psychic surgery at the hands of a robot therapist, Prober Spinner. And suddenly the ambitious young mediator is at risk in a deadly Artificial Intelligence scheme to steal human souls. Because the ghosts of Carly’s unconscious may be a prize well worth killing for.

In Furiously Happy, #1 New York Times bestselling author Jenny Lawson explores her lifelong battle with mental illness. A hysterical, ridiculous book about crippling depression and anxiety? That sounds like a terrible idea.

But terrible ideas are what Jenny does best.

As Jenny says:

“Some people might think that being ‘furiously happy’ is just an excuse to be stupid and irresponsible and invite a herd of kangaroos over to your house without telling your husband first because you suspect he would say no since he’s never particularly liked kangaroos. And that would be ridiculous because no one would invite a herd of kangaroos into their house. Two is the limit. I speak from personal experience. My husband says that none is the new limit. I say he should have been clearer about that before I rented all those kangaroos.


“Most of my favorite people are dangerously fucked-up but you’d never guess because we’ve learned to bare it so honestly that it becomes the new normal. Like John Hughes wrote in The Breakfast Club, ‘We’re all pretty bizarre. Some of us are just better at hiding it.’ Except go back and cross out the word ‘hiding.'”

Furiously Happy is about “taking those moments when things are fine and making them amazing, because those moments are what make us who we are, and they’re the same moments we take into battle with us when our brains declare war on our very existence. It’s the difference between “surviving life” and “living life”. It’s the difference between “taking a shower” and “teaching your monkey butler how to shampoo your hair.” It’s the difference between being “sane” and being “furiously happy.”

Lawson is beloved around the world for her inimitable humor and honesty, and in Furiously Happy, she is at her snort-inducing funniest. This is a book about embracing everything that makes us who we are – the beautiful and the flawed – and then using it to find joy in fantastic and outrageous ways. Because as Jenny’s mom says, “Maybe ‘crazy’ isn’t so bad after all.” Sometimes crazy is just right.