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A modern fairytale about sisterhood, forgiveness, and redemption in the vein of The Girl Who Drank the Moon and The One and Only Ivan.

Off the coast of Ireland, on the island of Hybrasil, lives a Magician and four enchanted rabbit sisters. One by one, the rabbits have been leaving the island, accompanied by a Boy and his boat. When the rabbits leave, they can turn back into girls.

The last rabbit, Albie, remains. She doesn’t want to leave, but the island is sinking. Before deciding where she wants to go, Albie visits each of her sisters. Caragh has joined a circus. Isolde is the captain of a pirate ship. And Rory wants to go home to the family’s house in Cork.

Through many furry twists and hoppity turns, we learn how one mistake can lead to many consequences, and that forgiveness and family are always within reach.

When the delicate balance between the people of a small country and the mythic rabbits of age-old lore is broken, putting everyone at risk, a young rabbit and a young girl must overcome their prejudices and learn to trust each other. This vivid and inventive novel from the acclaimed author of The Wolf’s Curse will captivate fans of Orphan Island and Scary Stories for Young Foxes.

Quincy Rabbit and his warren live a simple yet high-stakes life. In exchange for the purple carrots they need to survive, they farm and deliver Chou de vie (cabbage-like plants that grow human babies inside) to the human citizens of Montpeyroux. But lately, because of those selfish humans, there haven’t been enough carrots to go around. So Quincy sets out to change that—all he needs are some carrot seeds. He’ll be a hero.

Fleurine sees things a little differently. As the only child of the Grand Lumière, she’s being groomed to follow in her mother’s political footsteps—no matter how much Fleurine longs to be a botanist instead. Convinced that having a sibling will shift her mother’s attention, Fleurine tries to grow purple carrots, hoping to make a trade with the rabbits. But then a sneaky rabbit steals her seeds. In her desperation to get them back, she follows that rabbit all the way to the secret warren—and steals a Chou.

Quincy and Fleurine have endangered not just the one baby inside the Chou, but the future of Montpeyroux itself—for rabbits and humans alike. Now, they’ll have to find a way to trust each other to restore the balance.

It’s an average work day. You’ve been wrapped up in a task, and you check the clock when you come up for air—4:44 p.m. You check your email, and 44 unread messages have built up. With a shock, you realize the date is April 4—4/4. And when you get in your car to drive home, your odometer reads 44,444.

Coincidence? Or have you just seen the edge of a rabbit hole?

Rabbits is a mysterious alternate reality game so vast it uses the entire world as its canvas.

Since the game started in 1959, ten iterations have appeared and nine winners have been declared. The identities of these winners are unknown.

So is their reward, which is whispered to be NSA or CIA recruitment, vast wealth, immortality, or perhaps even the key to the secrets of the universe itself.

But the deeper you get, the more dangerous the game becomes. Players have died in the past—and the body count is rising.

And now the eleventh round is about to begin.

Enter K—a Rabbits obsessive who has been trying to find a way into the game for years. That path opens when K is approached by billionaire Alan Scarpio, rumored to be the winner of the sixth iteration. Scarpio says that something has gone wrong with the game and that K needs to fix it before Eleven starts, or the whole world will pay the price.

Five days later, Scarpio is declared missing.

Two weeks after that, K blows the deadline: Eleven begins.

And suddenly, the fate of the entire universe is at stake.

On the way home from a party, seventeen-year-old Ivy and her soon-to-be ex nearly run over a nude young woman standing in the middle of a tree-lined road. It’s only the first in a string of increasingly eerie events and offerings: a dead rabbit in the driveway, a bizarre concoction buried by her mother in the backyard, a box of childhood keepsakes hidden in her parents’ closet safe. Most unsettling of all, corroded recollections of Ivy and her enigmatic mother’s past resurface, with the help of the boy next door.

What if there’s more to Ivy’s mother than meets the eye? And what if the supernatural forces she messed with during her own teen years have come back to haunt them both? Ivy must grapple with these questions and more if she’s going to escape the darkness closing in.

Straddling Ivy’s contemporary suburban town and her mother’s magic-drenched 1990s Chicago, this bewitching and propulsive story rockets towards a conclusion guaranteed to keep readers up all night.

When Alex Easton, a retired soldier, receives word that their childhood friend Madeline Usher is dying, they race to the ancestral home of the Ushers in the remote countryside of Ruritania.

What they find there is a nightmare of fungal growths and possessed wildlife, surrounding a dark, pulsing lake. Madeline sleepwalks and speaks in strange voices at night, and her brother Roderick is consumed with a mysterious malady of the nerves.

Aided by a redoubtable British mycologist and a baffled American doctor, Alex must unravel the secret of the House of Usher before it consumes them all.

WHAT HAPPENS WHEN A BUNNY FIGHTS BACK?

In a post-apocalyptic world where humans are extinct and animals thrive, a young rabbit starts to wonder why rabbits must accept their status as prey animals. She asks pointed questions of the warren elders, and gets exiled for it.

Without a warren, she’s enormously vulnerable, but she reaches out to others in desperate straits. Soon, she’s locked in a ferocious battle for survival—and maybe even freedom.

In a chilling blend of folk horror and twisting suspense, this modern masterpiece depicts isolation and dread within a small island community.

There’s something in the water…  

On the edge of the Northern Atlantic lies a remote island. The islanders are an outwardly harmonious community—but all have their own secrets, some much darker than others. And when a strange disorder begins to infect them all, those secrets come to light.

Ferry service fails and contact with the mainland is lost. Rumors begin to swirl as a temporary inconvenience grows into nightmarish ordeal. The fabric of the once tight-knit island is unnervingly torn apart—and whatever the cause, the question soon stops being how or why it happened, but who, if anyone, will survive.

When Robbie’s mother died, everything changed. Suddenly upped and moved to Somerset to play happy families with his dad’s new girlfriend, Robbie can’t settle. He doesn’t want a new life, he wants his old one back . . . but life in a village full of whispers and secrets can’t make things the way they were.

When the white hare appears, magical and fleet in the silvery moonlight, she leads them all into a legend, a chase, a hunt. But who is the hunter and who the hunted?

Michael Fishwick deftly mingles a coming-of-age story with mystery, myth and summer hauntings.

Blame it on Hawaii’s rainbows, sparkling beaches, fruity cocktails, and sensuous breezes. For Heather Diamond, there for a summer course on China, a sea change began when romance bloomed with Fred, an ethnomusicologist from Hong Kong. One night under a full moon, Fred tells Heather the story of Chang’e, the moon goddess. He points out how the shadows form a rabbit pounding an elixir of immortality, but all Heather sees in the moon is a man’s face. Returning to her teaching job in Texas, Heather wonders if the whirlwind affair was a moment of madness. She is, after all, forty-five years old, married, a mother and grandmother.

Rabbit in the Moon follows Heather and Fred’s relationship as well as Heather’s challenges with multiple mid-life reinventions, such as moving to Hawaii, entering a Ph.D. program, and living in a dorm with students half her age. When Fred goes on sabbatical, Heather finds herself on the Hong Kong island of Cheung Chau with his large, boisterous family. For an independent, reserved American, adjusting isn’t easy. She wants to fit in, but is culture shocked by the lack of privacy, the language barrier, and the Chinese aesthetic of renao (“hot & noisy”).

Life on Cheung Chau is overwhelming but also wondrous. Heather chronicles family celebrations, ancestor rituals, and a rich cycle of festivals like the Hungry Ghosts Festival, Chinese New Year, and the Bun Festival. Her descriptions of daily life and traditions are exquisite, seamlessly combining the insights of an ethnographer with the fascination of a curious newcomer who gradually transitions to part of the family. Ultimately, Heather’s experiences abroad make her realize what she has overlooked with her own family back in the United States, and she sets about making amends.

Moving between Hawaii, Hong Kong, and the continental US, Rabbit in the Moon is an honest, finely crafted meditation on intercultural marriage, the importance of family, and finding the courage to follow your dreams.

A special offer at the pet store results in an unforeseen rabbit situation for two siblings in this lighthearted cautionary tale.

After a month of pleading, Dad finally takes Owen and Zoey to the pet store to adopt a rabbit. Once there, a two-for-one special offer just cannot be ignored; so they take home two rabbits – one male, and one female. Two rabbits make more rabbits, who then make even more rabbits, and soon there are just too many of the sweet little creatures. So begins a hilarious counting game as Owen and Zoey find homes for all of the rabbits.

Full of little ‘easter eggs’ hidden in the art, Too Many Rabbits is a mirthful reminder to be careful what you wish for!

Thomas’s problems are more serious than those of a typical young Victorian gentleman. His elder brother may be sabotaging the family’s bank. His childhood friend has died under mysterious circumstances. Far worse, leaves are sprouting on Thomas’s skin. Perhaps it is all the fault of the long-rumored “Peculiarities” lurking in London’s grey fog?

Proper society scoffs at the notion of magic, even as it seeps into their buildings, transfiguring the rich and poor alike. If Thomas is going to save the family business—and stop turning into a tree—he’ll need help from some rather improper companions. Desperate for counsel, he seeks the advice of a lycanthropic medium and London’s unacceptable occult society, including a strange fellow named Aleister Crowley.