Blog

A Heian-era mansion stands abandoned, its foundations resting on the bones of a bride and its walls packed with the remains of the girls sacrificed to keep her company.

It’s the perfect venue for a group of thrill-seeking friends, brought back together to celebrate a wedding.

A night of food, drinks, and games quickly spirals into a nightmare as secrets get dragged out and relationships are tested.

But the house has secrets too. Lurking in the shadows is the ghost bride with a black smile and a hungry heart.

And she gets lonely down there in the dirt.

Effortlessly turning the classic haunted house story on its head, Nothing but Blackened Teeth is a sharp and devastating exploration of grief, the parasitic nature of relationships, and the consequences of our actions.

When Sarah Lewis inherits a run-down B&B from her late grandmother in coastal Blue Moon Bay, the logical thing to do is sell it and focus on her life in L.A. But when she learns that interested buyers will only tear it down in its current state, she feels a sense of obligation to her grandmother to get it back to the landmark tourist destination it once was…even if that means hiring the best contractor for the job, who happens to be her old high school crush.

Wes Sharrun’s life has continued to unravel since the death of his wife three years before. Now with a struggling construction company and a nine-year-old daughter, he sees the B&B as an opportunity to get back on his feet. Unfortunately, despite trying to keep his distance, his daughter has taken a liking to Sarah, and his own feelings are tough to deny.

As they spend more time together painting, exploring a forgotten treasure trove of wine in a basement cellar, and arguing over balcony placement, the more the spark between them ignites. But will saving the B&B be enough to convince them both to take a second chance at love?

We are a people who do not forget.

Survivors from a flooded kingdom struggle alone on an ark. Resources are scant, and ravenous beasts circle. Their fangs are sharp.

Among the refugees is Iraxi: ostracized, despised, and a commoner who refused a prince, she’s pregnant with a child that might be more than human. Her fate may be darker and more powerful than she can imagine.

In the summer of 1991, a teenage girl named Dee McBride vanished in the city of Milwaukee. Nearly thirty years later, her sister, Peg, is still haunted by her sister’s disappearance. Their mother, on her deathbed, is desperate to find out what happened to Dee so the  family hires a psychic to help find Dee’s body and bring them some semblance of peace. 

The appearance of the psychic plunges Peg back to the past, to those final carefree months when she last saw Dee—the summer the Journal Sentinel called “the deadliest . . . in the history of Milwaukee.” Serial killer Jeffrey Dahmer’s heinous crimes dominated the headlines and overwhelmed local law enforcement. The disappearance of one girl was easily overlooked.

Peg’s hazy recollections are far from easy for her to interpret, assess, or even keep clear in her mind. And now digging deep into her memory raises doubts and difficult—even terrifying—questions. Was there anything Peg could have done to prevent Dee’s disappearance? Who was really to blame for the family’s loss? How often are our memories altered by the very act of voicing them? And what does it mean to bear witness in a world where even our own stories are inherently suspect?

She stole my husband. So I’d steal her life.

The Wife
Lane won Candace’s heart over chocolate martinis and karaoke. But weeks into their whirlwind marriage, Candace realized Lane came with burdensome baggage in the form of his possessive live-in sister and her eerily watchful six-year-old son. Lane had a secret that seemed to hold him hostage, and Candace would do anything to uncover it.

The Sister-in-Law
Harper was the kind of woman who cooked homemade meals and dusted under the furniture. It was the least she could do for her brother after her husband’s mysterious death, and Lane took her and her kids in. Then Candace showed up like a tornado passing through, threatening and destructive. But Harper had other plans for her new “sister,” plans Lane could never find out about.

The Husband
All Lane had ever wanted was a white-picket-fence life. The wife. The two-point-five kids. The happy little family. Everything seemed to be falling into place with Candace … until Harper’s jealous streak got in the way, again. But choosing between his sister and wife would be costly … and knowing Harper, the price would be blood.

CLAY

Marymount girls are good girls. We’re chaste, we’re untouched, and even if we weren’t, no one would know, because we keep our mouths shut.

Not that I have anything to share anyway. I never let guys go too far. I’m behaved.
 
Beautiful, smart, talented, popular, my skirt’s always pressed, and I never have a hair out of place. I own the hallways, walking tall on Monday and dropping to my knees like the good Catholic girl I am on Sunday.

That’s me. Always in control.

Or so they think. The truth is that it’s easy for me to resist them, because what I truly want, they can never be. Something soft and smooth. Someone dangerous and wild.

Unfortunately, what I want I have to hide. In the locker room after hours. In the bathroom stall between classes. In the showers after practice. My head swimming. My hand up her skirt.

For me, life is a web of secrets. No one can find out mine.

OLIVIA

I cross the tracks every day for one reason—to graduate from this school and get into the Ivy League. I’m not ashamed of where I come from, my family, or how everyone at Marymount thinks my skirts are too short and my lipstick is too red.

Clay Collins and her friends have always turned up their noses at me. The witch with her beautiful skin, clean shoes, and rich parents who torments me daily and thinks I won’t fight back.

At least not until I get her alone and find out she’s hiding so much more than just what’s underneath those pretty clothes.

The princess thinks I’ll scratch her itch. She thinks she’s still pure as long as it’s not a guy touching her.

I told her to stay on her side of town. I told her not to cross the tracks.

But one night, she did. And when I’m done with her, she’ll never be pure again.

Enter a world of mythological places, mermaids, king’s harems, dragon-like beings, and gypsies—a world of erotic domination and submission in times and places far different from our own. Submissive Fairy Tales is a collection of previously published novellas by Kitty Thomas: The Auction, Awakening, and The King’s Pleasure.

The Auction

Belle Walker lives in a strict society where women are treated as property, sold to the highest bidder soon after their eighteenth birthday. The monsters outside the city have promised to leave them in peace, but one of them is intent on having Belle as his own.

Awakening

Nerina has lived all her life as a mermaid, fascinated by humans and land but also repulsed by sex and unable to understand love. Her curiosity gets her captured by a human male intent on awakening her lust and turning her human. 

The King’s Pleasure

In the kingdom of Himeros, Abigail is despised for her heritage. Pushed to the fringes of society, she’s forced to break the law in order to help feed her family. When a castle guard catches her stealing bread, he intends to cut off her hand for the offense, but the King has other plans.

They tried to hide the truth. But the camera never lies…

Blackwood Bay. An ordinary place, home to ordinary people.

It used to be a buzzing seaside destination. But now, ravaged by the effects of dwindling tourism and economic downturn, it’s a ghost town—and the perfect place for film-maker Alex to shoot her new documentary. But the community is deeply suspicious of her intentions. After all, nothing exciting ever happens in Blackwood Bay—or does it?

Three cities, two sisters, one chance to correct the past . . .

New York, 1937: When estranged sisters Clara and Madeleine Sommers learn their grandmother is dying, they agree to fulfill her last wish: to travel across Europe—together. They are to deliver three letters, in which Violet will say goodbye to those she hasn’t seen since traveling to Europe forty years earlier; a journey inspired by famed reporter, Nellie Bly.

Clara, ever-dutiful, sees the trip as an inconvenient detour before her wedding to millionaire Charles Hancock, but it’s also a chance to embrace her love of art. Budding journalist Madeleine relishes the opportunity to develop her ambitions to report on the growing threat of Hitler’s Nazi party and Mussolini’s control in Italy.

Constantly at odds with each other as they explore the luxurious Queen Mary, the Orient Express, and the sights of Paris and  Venice,, Clara and Madeleine wonder if they can fulfil Violet’s wish, until a shocking truth about their family brings them closer together. But as they reach Vienna to deliver the final letter, old grudges threaten their reconciliation again. As political tensions rise, and Europe feels increasingly volatile, the pair are glad to head home on the Hindenburg, where fate will play its hand in the final stage of their journey.

It’s been years since Nadja Kulka was convicted of a cruel crime. After being released from prison, she’s wanted nothing more than to live a normal life: nice flat, steady job, even a few friends. But when one of those friends, Laura von Hoven–free-spirited beauty and wife of Nadja’s boss–kills her lover and begs Nadja for her help, Nadja can’t seem to refuse.

The two women make for a remote house in the woods, the perfect place to bury a body. But their plan quickly falls apart and Nadja finds herself outplayed, a pawn in a bizarre game in which she is both the perfect victim and the perfect murderer…

Lydia Susi is passionate about protecting wolves in their natural habitat. When a hotel chain develops a tract of land next to the preserve, Lydia is one of the most vocal opponents of the project—and becomes a target.

One night, a shadowy figure threatens Lydia’s life in the forest, and a new hire at the Wolf Study Project comes from out of nowhere to save her. Daniel Joseph is both mysterious, and someone she intrinsically wants to trust. But is he hiding something?

As the stakes get higher, and one of Lydia’s colleagues is murdered, she must decide how far she will go to protect the wolves. Then a shocking revelation about Daniel challenges Lydia’s reality in ways she could never have predicted. Some fates demand courage, while others require even more, with no guarantees. Is she destined to have true love…or will a soul-shattering loss ruin her forever?

While on her daily walk with her dog in a secluded woods, a woman comes across a note, handwritten and carefully pinned to the ground by stones. “Her name was Magda. Nobody will ever know who killed her. It wasn’t me. Here is her dead body.” But there is no dead body. Our narrator is deeply shaken; she has no idea what to make of this. She is new to this area, alone after the death of her husband, and she knows no one.

Becoming obsessed with solving this mystery, our narrator imagines who Magda was and how she met her fate. With very little to go on, she invents a list of murder suspects and possible motives for the crime. Oddly, her suppositions begin to find correspondences in the real world, and with mounting excitement and dread, the fog of mystery starts to fade into menacing certainty. As her investigation widens, strange dissonances accrue, perhaps associated with the darkness in her own past; we must face the prospect that there is either an innocent explanation for all this or a much more sinister one.

A triumphant blend of horror, suspense, and pitch-black comedy, Death in Her Hands asks us to consider how the stories we tell ourselves both reflect the truth and keep us blind to it. Once again, we are in the hands of a narrator whose unreliability is well earned, and the stakes have never been higher.

You do not kill a man in cold blood and then talk your way out of it.

Other than her real name—Mary-Magdalene Feigenbaum—fifteen-year-old Maggie’s problems seem ordinary. She has tiffs with her too-critical mother, a crush on her cute psychologist, and worries that her only friend—fellow outcast Abigail—is morphing into a popular girl, leaving her behind. But Maggie has a few not-so-ordinary problems.

A voice in her head is telling her to kill. And not just anyone. Each time the target is a person who has done something terrible to someone Maggie cares for. You know what you have to do, the voice commands. Maggie struggles to resist, but the voice is relentless. And as its demands escalate, her world begins to crumble.

With rising suspense, this story of psychological horror introduces a narrator whose own unique voice and irreverent humor are unforgettable—an unlikely hero fighting a desperate battle against incomprehensible evil.

Sisters.

Inspirations.

Legends.

Meet… The Muses.

In between juggling their own dramas and romances, the nine sisters are paid to motivate souls and reignite passions. But never before have they faced a job like this. Hedone, The Goddess of Pleasure, hires the sisters to save the marriage of her parents, Eros and Psyche. Yet one misstep could provoke the wrath of Aphrodite. Join the Muses as they figure out how to clean up Cupid’s mess without causing one of their own!

Bridey Kelly has come to Greenway House—the beloved holiday home of Agatha Christie—in disgrace. A terrible mistake at St. Prisca’s Hospital in London has led to her dismissal as a nurse trainee, and her only chance for redemption is a position in the countryside caring for children evacuated to safety from the Blitz.

Greenway is a beautiful home full of riddles: wondrous curios not to be touched, restrictions on rooms not to be entered, and a generous library, filled with books about murder. The biggest mystery might be the other nurse, Gigi, who is like no one Bridey has ever met. Chasing ten young children through the winding paths of the estate grounds might have soothed Bridey’s anxieties and grief—if Greenway were not situated so near the English Channel and the rising aggressions of the war.

When a body washes ashore near the estate, Bridey is horrified to realize this is not a victim of war, but of a brutal killing. As the local villagers look among themselves, Bridey and Gigi discover they each harbor dangerous secrets about what has led them to Greenway. With a mystery writer’s home as their unsettling backdrop, the young women must unravel the truth before their safe haven becomes a place of death . . .

In Ilmarsh, England, local police detective Alec Nichols discovers sixteen horses’ heads on a farm, each buried with a single eye facing the low winter sun. After Veterinary Forensics expert Cooper Allen travels to the scene, a pathogen is discovered lurking within the soil, and many of those who have come into contact with the corpses grow critically ill.

A series of crimes comes to light―disappearances, arson, and mutilations―and in the dark days that follow, the town slips into panic and paranoia. Everything is not as it seems. Anyone could be a suspect. And as Cooper finds herself unable to leave town, Alec is stalked by an unseen threat. The two investigators race to uncover the truth behind these frightened and insidious mysteries―no matter the cost.

Everyone knows Lily Atwood―and that may be her biggest problem. The beloved television reporter has it all―fame, fortune, Emmys, an adorable seven-year-old daughter, and the hashtag her loving fans created: #PerfectLily. To keep it, all she has to do is protect one life-changing secret.

Her own.

Lily has an anonymous source who feeds her story tips―but suddenly, the source begins telling Lily inside information about her own life. How does he―or she―know the truth?

Lily understands that no one reveals a secret unless they have a reason. Now she’s terrified someone is determined to destroy her world―and with it, everyone and everything she holds dear.

How much will she risk to keep her perfect life? And what if the spotlight is the most dangerous place of all?

Fern seeks refuge from her mother’s pill-popping and boyfriends via Soul Train; Gwin finds salvation in the music of Prince much to her congregation’s dismay and Jesenia, miles ahead of her classmates at her gifted and talented high school, is a brainy and precocious enigma. None of this matters to Boss Man, the monster who abducts them and holds them captive in a dilapidated house in Queens.

On the night they are finally rescued, throngs line the block gawking and claiming ignorance. Among them is lifetime resident Miss Metropolitan, advice columnist for the local weekly, but how could anyone who fancies herself a “newspaperwoman” have missed a horror story unfolding right across the street? And why is it that only two of the three girls—now women—were found? The mystery haunts the two remaining “victim girls” who are subjected to the further trauma of becoming symbols as they continuously adapt to their present and their unrelenting past.

On April 27, 1997, four contestants make it to the final cell of the Quigley House, a full-contact haunted escape room in Lincoln, Nebraska, made famous for its monstrosities, booby-traps, and ghoulishly costumed actors. If the group can endure these horrors without shouting the safe word, “reprieve,” they’ll win a substantial cash prize—a startling feat accomplished only by one other group in the house’s long history. But before they can complete the challenge, a man breaks into the cell and kills one of the contestants.

Those who were present on that fateful night lend their points of view: Kendra Brown, a teenager who’s been uprooted from her childhood home after the sudden loss of her father; Leonard Grandton, a desperate and impressionable hotel manager caught in a series of toxic entanglements; and Jaidee Charoensuk, a gay international student who came to the United States in a besotted search for his former English teacher. As each character’s journey unfurls and overlaps, deceit and misunderstandings fueled by obsession and prejudice are revealed, forcing all to reckon with the ways in which their beliefs and actions contributed to a horrifying catastrophe.

All Callie wanted was a quiet weekend with her best friend. She promised she could handle running her family’s escape room business while her mom is out of town. Instead a Satanic cult shows up, claiming that the prop spell book in one of the rooms is the real deal, and they need it to summon the right hand of the devil. Naturally they take Callie and her friend, Mag, along with them. But when the summoning reveals a handsome demon in a leather jacket named Luke who offers to help Callie stop the cult from destroying the world, her night goes from weird to completely strange.

As the group tries to stay one step ahead of the cult, Callie finds herself drawn to the annoying (and annoyingly handsome) Luke. But what Callie doesn’t know is that Luke is none other than Luke Morningstar, Prince of Hell and son of the Devil himself. Callie never had time for love, and with the apocalypse coming closer, is there room for romance when all hell’s about to break loose?

If you’re not paranoid, you’re not paying attention…

Cary Mackin is a TV journalist who has covered crime for nearly twenty years. After losing her job she moves to a small town in Connecticut—only to get caught up in the web of a deranged serial killer. Cary has a dark secret that drives everything she does: a deep-seated, lifelong fear that one day she will be murdered. As the madman Cary stumbled upon continues to terrorize the beautiful countryside where she now resides, will her premonition come true?

Summer, 367 A.D. In a land of mystery and enchantment, in an age of Celtic gods, Highland warlords, Roman legions, and powerful druids, a young Pictish healer finds herself embroiled in an epic struggle between gods and men.

The Celtic tribes of the lands we now know as Scotland and Ireland conspire to assault Hadrian’s Wall and drive the Romans out of Britain forever. But in order for the warriors to achieve victory in the military campaign, the druids must first gain ascendancy over the new Roman god.

Amid clandestine preparations for war, Flora is yanked out of her peaceful, ordinary world and thrust into a spiritual battle of mythic proportions. In order to save her family, her clan, and her people, she is called upon to sacrifice not only her life, but her very identity. Feeling trapped in a web of manipulation and deceit, she struggles to discover the true reality of who she is and who she will become.

Set in the Scottish Highlands, this story brings to life an age and a people that have remained veiled in the mists of time. Based on extensive research into the archaeology, culture, and geography of fourth-century Scotland, Daughter of the Gods explores the mysterious people knowns as the Picts—a collection of tribes so determined to retain their freedom that they dared to defy the mightiest army the ancient world had ever known.

Cybelle teaches English in a small city in Japan. Her contract is up for renewal, her mother is begging her to come back to Canada, and she is not sure where she belongs anymore. She faces ostracism and fear daily, but she loves her job, despite its increasing difficulties. She vows to do her best ― even when her sleep, appetite, and life in general start to get weird, and conforming to the rules that once helped her becomes a struggle.

Meanwhile, yokai feast and cavort around Osaka and Kyoto as the barrier between their world and the human world thins. Zaniel spends his nights walking the dream world and serving his demon “bodyguard,” Akki. But there is a new yokai on the scene, and it has gotten on Akki’s bad side. When Cybelle gets caught up in the supernatural clash, she has to figure out what is real and, more importantly, what she really wants … before her life spirals out of control altogether.

Just once, Delia Reese wants to be the one calling the shots—not the one waiting to be called. Despite her stellar resume, hiring managers at the big banks won’t give her a chance.

Following yet another failed interview, Delia commiserates with her roommates and drunkenly finds herself wishing she had the advantages that come with being a man. If society wasn’t locked into gender roles, she’d be climbing the corporate ladder in designer heels with no apologies. By morning, her mirror reflects a surprising makeover.

Now that the world sees her as a man, Delia’s determined to double down on society’s double standards. With a smart suit and powerfully pink necktie, she hits New York’s financial district with a big gamble in mind.